My interview with Andrew Raeburn at Tanglewood

Tanglewood concerts were always an important part of music programming at WGBH. In the summer of 1970, as Erich Leinsdorf was about to retire as Music Director of the Boston Symphony, he would conduct his final concert at Tanglewood.

Crew Training Tape – Transcript (1962)

This entry is part 7 of 12 in the series The Don Hallock Collection

From Don Hallock

This tape was shot in the temporary studio at the Boston Museum of Science. It was intended as an in-house training tool, primarily for new BU student interns. It puroprted to be a catalog of many of the most frequently perpetrated production errors portrayed in comic relief. Response at the April reunion suggested that it was at least moderately successful in the humor department.

Original sin: Title cards are off center.

The 1961 WGBH Fire

This entry is part 10 of 12 in the series The Don Hallock Collection

From Don Hallock

In the early morning hours of October 14, 1961, a raging fire at the 84 Massachusetts Avenue studios of WGBH completely destroyed the facility. WGBH FM and TV were located in the second and third floors of a three story roller former skating rink. The fire, which began in the studio-A area, quickly consumed the upper floors of the building, rendering it a total loss. These stills were excerpted from 16mm black and white news film footage shot by Boston area commercial television stations.

Here firemen enter the rear of the building from the fire escape near studio-A control and the projection room. In the background light from the fire inside can be seen through windows which had formerly been covered over when studio-A was created. Read more...

Discovering Discovery (1956)

From Don Hallock

This 1956 film about the making of Mary Lela Grimes (Sherburne’s) kinescoped NET series on science for children was resurrected for the reunion. It is a show within a film, showcasing the 84 Massachusetts Avenue facility and many of our best remembered WGBH friends.

A teleprompter mounted on the front of Frank Vento’s camera bears the film’s opening titles. Read more...