We have begun planning the next reunion, and we need your help! In order to make sure it will be another experience to remember, we need to know your preferences.
Larry Creshkoff's personal papers are fascinating as they document his professional career from his days at Harvard, onto LICBC and WGBH, to his time after he left WGBH in 1957.
Michael Ambrosino — the creator of NOVA — describes his early years at WGBH, an era of live and live-on-tape TV productions at the 84 Massachusetts Avenue studio in Cambridge.
This series presents authorized interviews with early producers and directors for Boston’s innovative public television and radio stations. He was interviewed on June 19, 1998 by Fred Barzyk.
From “The first 24 years: A somewhat random compendium of milestones along the way”
John Lowell Jr., leaves a bequest creating free “public lectures for the benefit of the citizens of Boston.”
From Larry Creshkoff
a song from the past. It’s sung to the tune of "There is nothing like a dame" (from South Pacific) and was performed for the first (and only) time at the Christmas party of the Lowell Institute Cooperative Broadcasting Council staff in the library of the building at 28 Newbury Street where LICBC was housed before the move to Symphony Hall in ’51. (At the time, 28 Newbury Street was headquarters of the American Academy of Arts and Sciences. The last time I remember looking, it was the Boston location of Elizabeth Arden!)
The Lowell Institute Cooperative Broadcasting Council (LICBC) was the forerunner of WGBH. Established in 1946 by Boston College, Boston University, Harvard, MIT, Northeastern, and Tufts — with the venerable Lowell Institute as the "spearhead" entity — its mission was to create educational programs using faculty and content from the member institutions.
From Don Hallock: It may surprise you to know how many places the station has called home. WGBH's origins were in a converted skating rink on the second floor of 84 Mass. Ave. and the office spaces on the third, were the first home of WGBH from 1955 to 1961.
From Larry Creshkoff — 2000
In his piece, One Way to Run a Railroad, Ray Wilding-White observes that WGBH “…was made a reality with hairpins and bailing-wire by the heroic efforts of a bunch of dedicated, overworked and underpaid young maniacs who hardly knew a microphone from a zebra when they started on radio and positively did not know a camera from a Greyhound bus when they went into TV.”
I was one of that bunch of maniacs, having come to work at the Lowell Institute Cooperative Broadcasting Council (LICBC) in July 1947, just out of college, at $50 per week. (Not bad, considering that I was paying only $48 a month for a basement apartment on Commonwealth Avenue.) My first assignment was to prepare a five-minute summary of news from the Middle East and read it on air (live) at the close of Crossroads of the Future, a weekly round-table discussion program broadcast over WEEI, the CBS O&O station in Boston.
From Ray Wilding-White: The station was made reality by a bunch of dedicated, overworked and underpaid young maniacs who hardly knew a microphone from a zebra when they started on radio. I know. I was there.