Ambrosino had already begun assembling “the one group of guys who could pull off such a last-minute live broadcast: producer Russ Morash, director David Atwood, along with (crew) Al Potter and Greg Harney.”
Final List – RSVPs received as of October 16, 2018
This page is not being updated after October 16. Please contact Jay Collier at jay (dot) collier (at) thecompass (dot) com if your status changes.
Here is our current list of WGBH alumni, including those for whom we do and do not have e-mail addresses. (We have also included the names of our deceased colleagues in memoriam.) “Yes” after a name means we do have an e-mail address. “No” means we do not.
Some people are listed more than once because we have multiple email addresses. If you are one of those, please contact us if you have a single preferred address.
- Please let us know if you’re planning on attending by sending an RSVP!
- Want to see the newest RSVPs? Check out our list sorted by submission date
RSVPs received as of April 30 — In alphabetical order
|Your first name||Your last name||Years at WGBH||Will you attend?||Your comments||Departments/shows/roles|
|Chip||Adams||1977-1981(WGBY)1981-1994(Webb staff and freelance)||Yes||Maintenance Engineer|
Mobile Unit engineer
Field Video & Audio engineer- This Old House, The Victory Garden, The New Yankee Workshop
|Maria||Agui Carter||1989-2000||Maybe||La Plaza- numerous years as staff, a few as contract producer for specific shows|
Producer’s Hub (limited Series Series A.P. then Producer)
|Michael||Ambrosino||1956 to 1976||Yes||It is always a good time to visit with friends and colleagues you have known for many years.||MICHAEL AMBROSINO‘S SHOW\nExecutive Producer, NOVA"]”>Manager of School Television|
Executive Director, Eastern Educational Network
Assistant Director of Programming
Associate Director of Programming
Producer-Talent, MICHAEL AMBROSINO‘S SHOW
Executive Producer, NOVA
|Carole||Ashcraft||1972-1974||No||I have nothing less then 100% gratitude for Michael who changed my life due to our NOVA experience together.|
His unselfish manner and trust in letting me take my talent and skill – most even unknown to myself at the time – and run with it for better or worse without fear, kept my feet firmly planted on the ground making each step better then the last. Did I fail at times? You bet but Michael’s support and belief never waivered. Nor did his project perseverance… at times in great odds with management over financial concerns. Also, his conviction of purpose and never-ending trust in his staff never lost its pace. We even had some hard-earned laughter burst through during times of complete exhaustion which made us even more ‘family’, added more treasured memories and increased our pride.
The effort he invested in all of us those many years ago became for me a life-long support tool that no one ever matched or even came close to throughout my media career. I was blessed to be lucky enough to have had a small part in this larger-than-life play called NOVA and for the privilege of having shared Michael’s vision with so many others along the way.
I’m honored. Thank you Michael and Lillian.
Carole Ashcraft, Production Secretary
|Production Secretary to Michael J. Ambrosino (mja/cia) original series start-up team – NOVA.|
|Alice||Austin||1997-2003||Maybe||The Caption Center, Descriptive Video Service|
|Edye||Baker||1971 – 1999||Yes||1971 – 1981 Auction Major Volunteer|
1981 – 1999 Auction Manager
|Fred||Barzyk||1958 – 2002||Yes||Can’t wait!!!!!!||Producer/Director|
|Steve||Bass||1992-1998||No||Michael Ambrosino‘s daughter-in-law, Katrina Sarson. Have a blast at the reunion!"]”>Sorry I can’t be there! I value the opportunity to be part of the WGBH family. I guess I still am as I’m serving on the board of PRI. I also work with Christoper Sarson’s daughter and Michael Ambrosino‘s daughter-in-law, Katrina Sarson. Have a blast at the reunion!||VP/GM — WGBY/Springfield|
VP/Manager of Television Stations
|Alison||Bassett||freelance 1988-1994; staff 1995-2012||Yes||Thank you for organizing this. I hope to get there earlier than the last one! I didn’t put my years at WGBY as that would really date me!! :>0||AD – Boston Pops|
Post Production Supervisor – PR; American Experience
Producer – Children’s; Educational Productions
Compliance Manager – Archives & Media Center
|Ed||Baumeister||1971-1982||Yes||News and current affairs — the Reporers, the Eveneing Compass, the Ten O’Clock News.|
|Dan||Beach||1960-67 ++||No||I look forward.||Camerman|
Traffic Department Manager
Film Department Manager
Production Coordinator on many Barzyk shows in later years
|John||Beck||1968-1980||Yes||Front desk, business office, Radio Manager|
|Susheel||Bibbs||1973-77, 1978-80||Yes||Looking forward to seeing everyone.||GBH radio|
Spiders Web, Performance, A Batin Rompu, Rose Hill, Music Program Director
1975 CPB Best Program Awards
ACT AwardGBH TV
ZOOM talent coordinator
ZOOM Executive Producer
Arts Ed Project Producer
|Joan||Blackett||1962-1964||Yes||Secretary to Hartford Gunn|
|Ron||Blau||1963-1964 + freelance and project contract||Yes||It’s always a pleasure to get together with ‘GBHers!||Miscellaneous shows and roles from “Polaris University” to “Fragile Egos” and “Multiply and Subdue the Earth” … ZOOM to NOVA. Producer trainee, then producer, film/Avid editor.|
|Bruce||Bordett||1971-1980||Yes||Looking forward to seeing everyone.||Mail room, crew|
|Christine||Bradley (Carney)||1992-1999||No||Corporate Development|
|Doug||Briscoe||1977-2005||Maybe||Do I know any of these people?||Radio announcer/producer|
|Cynthia||Broner||1984-present||Yes||See you there!||Director of Constituent Communications (formerly Editorial Resources)|
|Michael||Burton||1987-2002||Yes||Local underwriting and then national underwriting|
|Darrell||Byers||1991-2000||Yes||Looking forward to seeing my friends and former colleagues.||Development and local underwriting|
|Jack||Caldwell||1966-1971*||Yes||Yes, we “old-timers” will enjoy sharing “what we did,” but those that followed will benefit from knowing “what we did.” I encourage a forum for the younger staff and current staff to have access to some stories of the heritage that created the “platform” they now enjoy. History counts. Passion counts. The absence of a fear to fail “counts.” Really, we never imagined that we would fail. I owe so much to those who preceded me…and ever so much to the encouragement and vision of Hartford Gunn, Bob Larsen, David Ives and the incredibly capable and adventuresome staff at WGBH and WGBY. Can’t wait to meet in May!||1966 — From VP of Distribution for NET in Ann Arbor, recruited by Hartford Gunn to work with Ted Conant and Jim Kelly to create and run WGBX.1967 — Assigned as temporary Director of Operations while Dave Davis was in Israel consulting on their television development.|
1968 — Dave chose not to return to WGBH and my position was no longer temporary.
1963-5: Cable puller, Asst. Lighting Director, Floor Manager, Mobil Unit Driver and Crew Chief (the mobile unit handled most of the larger productions before 125 was completed): MIT Science Reporter, French Chef, Tanglewood, College Sport of the Week, etcetera, etcetera.
Moonlighted wiring the camera connections in Master Control at the 125 Western Avenue, built out and almost electrocuted Jack Kane, ran the lighting cables above the grid in Studio A (still picking fiberglass bits out of my back!).
We're looking for your recommendations, corrections, and confirmations of WGBH's national innovations over the decades.
From the American Association for the Advancement of Science: Mr. Ambrosino's report outlines the plan for the creation of a science programming group for public television.
Text from Don Hallock
The inimitable Hindy lensing a camera at Brandeis University for Prospects of Mankind. (June 1961)
Hindy as the acting film manager, timing tapes in the tape room down in the basement of the Catholic Television Center. (August 10, 1962)
From David Atwood
Needing a job fresh out of college in the fall of 1965 I made an alphabetical list of Boston’s TV stations. The first was WBZ. I set out from Woburn, found WBZ and went in looking for work. They said they might start me in the mail room. I was devastated. I had four years of TV production experience at two commercial stations, one educational station, and one closed circuit facility in Maine.
I wanted to go home and sulk but next on the list was WGBH which was close by on Western Avenue, Allston. The operator in the lobby asked me to wait then Al Potter appeared. We interviewed in his office near the studio and he must have given me a tour. They had, as I remember, ten black and white cameras distributed among the three studios and mobile unit. In Maine TV I had never seen more than two studio cameras in one station. Impressive and scary.
Michael Ambrosino — the creator of NOVA — describes his early years at WGBH, an era of live and live-on-tape TV productions at the 84 Massachusetts Avenue studio in Cambridge.
This series presents authorized interviews with early producers and directors for Boston’s innovative public television and radio stations. He was interviewed on June 19, 1998 by Fred Barzyk.